The Fondation Villa Seurat pour l’Art contemporain was created under the aegis of the Fondation de France. As such, it enjoys the legal and accounting support provided by this institution as well as the highest tax benefits allowed by the French tax system. Donors located outside France can also enjoy tax benefits. Please contact us if this is your case.
The Fondation’s board of directors is composed of six members, presided by Catherine Kessedjian.
Catherine Lelouch-Kammoun is a jurist, an entrepreneur and a mediator.
She has participated in the voluntary management of charities for many years.
Growing up surrounded by art – with family collections that included Cobra pieces -, she is convinced that artistic creation contributes to the preservation of human values.
The administrative board of the Foundation is also composed of three qualified personalities, appointed on the basis of their complementary expertise with respect to the mandate of the Fondation.
Passionate about art, she organizes tours and cultural itineraries. It is now within the context of the Villa Finaly in Florence – the propriety of the Universités de Paris -, that she organizes academic seminars and symposia and curates photography, sculpture and painting exhibitions, which are connected to the great French and Florentine institutions like the Accademia delle Arti del Disegno – the oldest in the world -, and Parisian galleries. She promotes a diverse, contemporary program that is open to artists as well as partnerships with various museums, as was the case with the exhibition “Petits maux grands fléaux », organized with the Musée de l’Archerie et du Valois.
Annette Schild has worked as a lawyer in an international environment for about 30 years. She is passionate about art, in particular about photography. She is grateful to all the artists who have helped her see the world differently from how she had seen it. At this point she spends more and more time studying the history of photography – and taking pictures herself.
Professor of Law at the Université du Luxembourg, she likes mobile and motionless journeys within the space of contemporary creation.